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The Highgrove Suite

A four-movement commission requested by HRH Prince Charles to celebrate the stunning gardens at his Gloucestershire home.

The Highgrove Suite

When I first visited the Highgrove gardens in the summer of 2008, I was looking for inspiration for a new work for harp and strings to celebrate the sixtieth birthday of His Royal Highness The Prince of Wales. To my mind, the florid sounds of the harp and the rich texture of a string orchestra immediately lent themselves to a horticultural theme, and so it was that The Stumpery with its mystical, timeless atmosphere gave rise to Goddess of the Woods, named after the beautiful statue that sits in this wooded glade surrounded by ferns, gnarled tree stumps and a pair of mischievous leprechauns.
With the decision to convert this one piece into a four-movement suite came further visits to Highgrove, and I have been thoroughly inspired by witnessing the different seasons weaving their individual characters into the landscape of this special place. The second movement The Wildflower Meadow is a ‘paen’ of joy, sometimes tinged with nostalgia and a sense of wonder. Here the garden is at its most free - free to rejoice in its own shapes, textures and colours and relatively free to grow without man’s interference. It is more naturally able to move from one scene of its life to the next, speaking with honesty and praise for its heavenly Creator.

The Sanctuary sits in the magnificent area of the garden know as the arboretum. The lofty, sweeping trees almost create the effect of a great cathedral, and sitting humbly within its walls is the chapel built by His Royal Highness to mark the new millennium. Above the entrance to The Sanctuary are the words ‘Lighten our darkness we beseech thee O Lord’, which are taken from the Third Collect at evening prayer and it is this prayer that forms the foundation of the third movement Sanctuary. The central melody is in effect a plainsong setting of the words, and the slow-building climaxes within the music suggest this is a place that can touch the heart deeply. The indication to the players at the start of the movement is ‘with a deep sense of longing’.
Over the last six months or so, I have been accompanied on my visits to Highgrove by the Head Gardener Debs Goodenough. I cannot thank her enough for helping me to understand the garden as a whole as well as some of its more hidden treasures. The statue of The Gladiator has always fascinated me - so handsome, majestic and fearless. One morning, Debs and I stood next to it in the thick January snow and followed its line of sight down The Thyme Walk to the house itself.

At this point, Debs left me, as if she could sense the muse rising within. It was then that that the strident bass patterns of this last movement came to me together with the defiant, and energetic harp and string melody. The Gladiator is portrayed mid-stride. He is almost alive, communicating with the birds and calling to attention the armies of topiary that stand in defence of the house. In the same way that The Goddess of the Woods distils her gentle magic into the air, so The Gladiator radiates strength and dignity, promising that the garden and all it represents will remain safe and fruitful for generations to come.
These notes appeared in the souvenir programme at the premiere of the Highgrove Suite in the Orchard Room at Highgrove on June 8th 2010

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